Making Fonts: SINDELAR

"Finally I found what I have been looking for – this typeface sui

https://www.fontke.com/article/19530/

Chris Armstrong From the Typecast Team on Designing in the Browser

The notion of browser-based Web designs has gained considerable m

https://www.fontke.com/article/5408/

Simplifying CIDFont Glyph Corrections Using AFDKO Tools

The process of building a CIDFont resource, which serves as the s

https://www.fontke.com/article/6555/

日本字体设计师——小林章

小林章是日本一位著名的字体设计师。Akira Kobayashi是一个地位巩固的世界知名字体设计师。他种类广泛的字体作品包括了从展示字体、经典作品重修和许多套坚实的正文用字体这一完整范围。在过去20年间，他在众多字体竞赛中获得殊荣，为无数字体工厂设计字体，在日本教授

https://www.fontke.com/article/1456/

Porque Bembo Cansa

Num recente painel de discussão sobre o design do livro na Nova Z

https://www.fontke.com/article/426/

Figuring Out Numerals – The Sequel

Faster than a Hollywood blockbuster, here's the sequel already. ;

https://www.fontke.com/article/4905/

ScreenFonts: The Way Way Back, Pacific Rim, Only God Forgives, Blue Jasmine

Summer will soon be over (the astronomical one that is) but the s

https://www.fontke.com/article/13123/

Malabar, Premiéra, And Acorde Win At Joseph Binder Award 2010

It is starting to sound like a running gag – a good one, that is

https://www.fontke.com/article/3142/

采访小林章（Akira Kobayashi）：超越 Typo 边界

作者/ Author: Ian Lynam原载于/Original from: 日本 PingMag，2006年3月24日；图片来

https://www.fontke.com/article/932/

A Firm Turn Toward the Objective: Josef Müller-Brockmann 1948–1981

In February of 1989, I had the pleasure of meeting Josef Müller-B

https://www.fontke.com/article/10405/