GB 18030 Oddity or Design Flaw?

I spent a couple of days curling up with GB 18030 (both versions:

https://www.fontke.com/article/14572/

Free Fonts: Free Is Not Always Free

Like I explained in the introductory post An Introduction to Free

https://www.fontke.com/article/2459/

Late Registration For TYPO "Rhythm" and "Roots" Starts Saturday

It is time to register for TYPO San Francisco "Rhythm" and/or TYP

https://www.fontke.com/article/15208/

Web Fonts and Non-Latin Scripts

Web fonts for Arabic and related Arabetic scripts has been, and s

https://www.fontke.com/article/4415/

Award-Winning Fonts

Undeniably, both awards – the Type Directors Club's TDC² and Typo

https://www.fontke.com/article/495/

FontBook, A New Way Of Combining & Comparing And Sharing Typefaces

One of the major advantages of the FontBook app in comparison to

https://www.fontke.com/article/4494/

A Typographic Look Ahead At Rio 2016

As straight and angular as the London 2012 font by Alias was, as

https://www.fontke.com/article/9239/

Valentype | Testify and Win The Typeface You Love!

If you know what it's like to passionately love a typeface, here'

https://www.fontke.com/article/14912/

FontShop网站评选100个最佳字体

这是德国FontShop网站评选的有史以来100个最佳字体。评判基于三个标准，在 FontShop 的销量（权重40%），历史价值（权重30%），美学价值（30%），同时，所有参与评选的字体均属商业字体，不包

https://www.fontke.com/article/2747/

Robothon 2012 Video Recap

I don't want to sound ungrateful for mentioning this, but having

https://www.fontke.com/article/7007/