The Rediscovery of Boudewijn Ietswaart

Lettering in the Netherlands has had many great exponents from Ja

https://www.fontke.com/article/2793/

Erik Spiekermann 谈字体的版权法

Image: stewf@Flickr作者/ Author: Jürg Lehni © 2009原载于/ Original fro

https://www.fontke.com/article/3162/

Some Thoughts On Web Fonts by Yves Peters

And this is the second of two interviews used for The Future of W

https://www.fontke.com/article/3394/

ScreenFonts: The King's Speech, Black Swan, Burlesque, The Tourist, The Fighter, True Grit

This is getting slightly ridiculous. I don't know at what point t

https://www.fontke.com/article/3938/

Celebrating 20 Years of FontShop With Erik Spiekermann

Starting up FontShop was only the beginning of Erik Spiekermann's

https://www.fontke.com/article/1910/

Figuring Out Numerals

A support request made me realize that we don't really have an al

https://www.fontke.com/article/4875/

维吾尔字体百年掠影——从喀什噶尔到乌鲁木齐 （Uyghurche font tarixi — Qeshqerdin Ürümchigiche）

Leylini körüsh üchün, Mejnunning közi kérek.只有麦吉侬的眼睛，才能看出莱莉的美丽。这本

https://www.fontke.com/article/22463/

界面设计中，关于字体设计的10 个锦囊

字体作为界面设计的一个元素，对用户的阅读体验起着至关重要的作用。本文是 UI 设计师 Viljami Salminen 分享的用户界面字体设计的基本规则和技巧。早在 2004 年，我才刚开始工作的时候，sIFR 非常火。sIFR 是由 Shaun Inman 开发、可以电影短片中嵌入定制字体的一种技术，它能被 JavaScript 和 CSS 调用。当时，sIFR 基本上是唯一一种能在 Firefox 或 Safari 浏览器中使用定制字体的技术。随着 2007 年 iP...

https://www.fontke.com/article/24439/

FF-DIN 圆体之工艺、设计与性感

作者/ Author: Jürgen Siebert & Albert-Jan Pool © 2010原载于/ Original

https://www.fontke.com/article/3413/

Reviving Caslon

Part 2: Readability, affability, authority[read part one]When the

https://www.fontke.com/article/3005/