Grotesque of Our Age

本文是前几个月的一篇杂志约稿，由于各种原因未能出版。现在贴出来，以飨读者。文章探讨了早期非衬线体的历史和特点，以及现在的保存和发展

https://www.fontke.com/article/2817/

再谈 Web 字体的现状与未来

感谢COMSHARP CMS的投递新闻来源:arstechnica.com随着 CSS3 渐入人心，Web 字体逐渐成为话题，这种

https://www.fontke.com/article/2896/

ATypI'08 | Typophile Film Fest 4

Last September 19th – at ATypI'08 – The Old and The New in Saint

https://www.fontke.com/article/952/

Akira Kobayashi on FF Clifford

To coincide with our newsletter featuring the work of Akira Kobay

https://www.fontke.com/article/293/

FF Tisa Goes Sans

It's been five years since FF Tisa's release. To follow-up, Mitja

https://www.fontke.com/article/8835/

ScreenFonts: Public Enemies, Brüno, I Love You Beth Cooper, Soul Power, In The Loop

It's summer, the sun's out, and it's hot. While we Belgians have

https://www.fontke.com/article/1511/

FontFont Focus: FF Franziska For Bündner Tagblatt

Type is a crucial element in the branding of a newspaper. It defi

https://www.fontke.com/article/16731/

镂板字的断缺史

法国 Bery 产镂板。（图：Typefoundry）人类使用镂板（漏板，stencil）制图的历史源远流长，但镂板制字（sten

https://www.fontke.com/article/5919/

潘石屹与西塞罗，字号的故事

潘石屹是谁，国内的朋友大都知道——著名房地产开发商。西塞罗是谁，可能只有少数文艺青年知道——公元前1世纪的古罗马政治家、演说家、法

https://www.fontke.com/article/3855/

アドビはFreeTypeにCFFラスタライザー技術を提供

[This Japanese version of the May 1, 2013 Typblography article en

https://www.fontke.com/article/11616/