Houston, we have a problem… …with U+4548

Recent work has led me to more closely explore U+4548 (☞䕈☜), whic

https://www.fontke.com/article/15971/

Dalton Maag designs 'solid but human' font for energy company rebrand

Dalton Maag has created a custom font as part of a new identity f

https://www.fontke.com/article/10694/

Jim Olson: Art in Architecture

Source: http://www.olsonkundigarchitects.com.Photo: cburnside. Li

https://www.fontke.com/article/11351/

Making Books In The Days Of The Linotype

It's funny how sometimes events coincide. Less than a week after

https://www.fontke.com/article/4683/

Abbott Miller: Design and Content exhibition

Source: http://new.pentagram.com.Pentagram. Photography by Jorge

https://www.fontke.com/article/15898/

'Who the Fraggle designed this?': Sufjan Stevens won't put up with bad typography

He may plough an individual furrow musically, but singer-songwrit

https://www.fontke.com/article/12579/

Design for Europe brand identity

License: All Rights Reserved.RM Regularis used for the logotype a

https://www.fontke.com/article/21326/

Courrier International

Courrier International. Click to enlarge."Long Courrier" arts and

https://www.fontke.com/article/5559/

New York Magazine, Aug–Sep 2012

Subscriber coverEver since Tom Alberty became the Design Director

https://www.fontke.com/article/8973/

FontCast #10 — Jim Parkinson, Part 1

In FontCast's search for typographic designers with interesting s

https://www.fontke.com/article/2176/