Grotesque of Our Age

本文是前几个月的一篇杂志约稿，由于各种原因未能出版。现在贴出来，以飨读者。文章探讨了早期非衬线体的历史和特点，以及现在的保存和发展

https://www.fontke.com/article/2817/

The design of a signage typeface

The story begins in 2006 with a trip down Route 66. Day in, day o

https://www.fontke.com/article/7379/

ATypI'08 | Typophile Film Fest 4

Last September 19th – at ATypI'08 – The Old and The New in Saint

https://www.fontke.com/article/952/

ScreenFonts: The Words, Francine, The Master, Dredd, Solomon Kane, Looper

Fortunately it only happens rarely, but after my ScreenFonts seri

https://www.fontke.com/article/9413/

Akira Kobayashi on FF Clifford

To coincide with our newsletter featuring the work of Akira Kobay

https://www.fontke.com/article/293/

FF Tisa Goes Sans

It's been five years since FF Tisa's release. To follow-up, Mitja

https://www.fontke.com/article/8835/

ScreenFonts: Public Enemies, Brüno, I Love You Beth Cooper, Soul Power, In The Loop

It's summer, the sun's out, and it's hot. While we Belgians have

https://www.fontke.com/article/1511/

ScreenFonts: Zookeeper, Horrible Bosses, The Ward, The Ledge, Crazy Stupid Love

Whoa, it looks like I have really arrived now. The previous insta

https://www.fontke.com/article/4578/

Avenir：设计土壤变化与字体风格复兴

日本设计大师原研哉在他的名著《设计中的设计》和《欲望的教育》说道“必须让设计土壤肥淆，好设计才得以健康生长”，感觉这比喻放诸字体设

https://www.fontke.com/article/6473/

My Type of Music: Brian Wilson, Metallica, Ne-Yo, Calexico, Tricky, The Chemical Brothers

From the onset it became clear that ScreenFonts a.k.a. Characters

https://www.fontke.com/article/729/