字体的故事：& 的简史与它在设计中应用

是一个非常独特的字符，字体设计师在设计这个字符的时候，常常天马行空，然而很多设计师对这个符号的背景知之甚少，事实上，有一段悠久而有

https://www.fontke.com/article/3132/

The Dunlap Broadside

The Declaration of Independence in its popular calligraphic form,

https://www.fontke.com/article/8191/

Malabar, Premiéra, And Acorde Win At Joseph Binder Award 2010

It is starting to sound like a running gag – a good one, that is

https://www.fontke.com/article/3142/

FontCast #17 — Amman: The City, The Typeface, The Film

At the end of 2008 the young type designer and multimedia artist

https://www.fontke.com/article/2917/

Norwegian Bible, 2011 Editions

The Standard edition of the 2011 Norwegian Bible. The cover is a

https://www.fontke.com/article/5727/

Monotype Imaging, EOT Friendly License

Monotype Imaging Introduces New Font License to Permit Use on Non

https://www.fontke.com/article/1315/

The 15 best typewriter fonts

Typewriter fonts are a popular choice to incorporate into vintage

https://www.fontke.com/article/23844/

Typeface Review: FF Balance

The late Evert Bloemsma created four of the most original, hard-w

https://www.fontke.com/article/516/

ATypI 2010 Dublin: The Word – Keynote Addresses

Like I mentioned in my previous ATypI 2010 Dublin post, attendees

https://www.fontke.com/article/2838/

Web与排版学上的字体问题

关于字体的讨论，其实无论是国外还是国内，都已经有不少，可是我发现绝大部分的内容或者有失偏颇，或者不够全面，下面我试图将自己一段时间内的观点总结一下，以求提出一个比较容易接受的 CSS 字体选择的建议。事关大小字体的大小总是一个困扰人的问题，用绝对单位

https://www.fontke.com/article/476/