Celebrating 20 Years of FontShop With Erik Spiekermann

Starting up FontShop was only the beginning of Erik Spiekermann's

https://www.fontke.com/article/1910/

Figuring Out Numerals

A support request made me realize that we don't really have an al

https://www.fontke.com/article/4875/

维吾尔字体百年掠影——从喀什噶尔到乌鲁木齐 （Uyghurche font tarixi — Qeshqerdin Ürümchigiche）

Leylini körüsh üchün, Mejnunning közi kérek.只有麦吉侬的眼睛，才能看出莱莉的美丽。这本

https://www.fontke.com/article/22463/

FontFont Focus: FF Franziska For Bündner Tagblatt

Type is a crucial element in the branding of a newspaper. It defi

https://www.fontke.com/article/16731/

Typophile Film Festival 5 Opening Titles

The 5th Typophile Film Festival premiered one month ago at Design

https://www.fontke.com/article/1666/

Ampersand Conference 2011 Focuses on Web Typography

A little over a week ago I had a true rock'n'roll episode due to

https://www.fontke.com/article/4332/

FF-DIN 圆体之工艺、设计与性感

作者/ Author: Jürgen Siebert & Albert-Jan Pool © 2010原载于/ Original

https://www.fontke.com/article/3413/

Reviving Caslon

Part 2: Readability, affability, authority[read part one]When the

https://www.fontke.com/article/3005/

Grotesk 的过去与未来：Aktiv Grotesk 批评

备注：由于文化背景异同，英语系国家的 Grotesque 和德语系国家的 Grotesk 在历史发展中各自形成不同的独特形态。Gr

https://www.fontke.com/article/3470/

采访小林章（Akira Kobayashi）：超越 Typo 边界

作者/ Author: Ian Lynam原载于/Original from: 日本 PingMag，2006年3月24日；图片来

https://www.fontke.com/article/932/