Web字体的现状与未来

有关 Web 字体的话题正在增多，对 Web 设计师来说，他们并不关注技术细节，不管是 TrueType 的 Hinting 技术，还是 OpenType 的 Permissions Tables，他们关心的是我如何在网页中使用某款字体。 7月14日至

https://www.fontke.com/article/2881/

香港地铁宋：观察、再用与再生

无论品牌还是站内路牌，港铁一系列中英双语文字设计自1979年通车起便世界知名。其中对明体的广泛运用，至今也特立独行于其他汉字使用国家。港铁明体嫡传统为什么当年的地铁公司选用明体作为主字体呢？

https://www.fontke.com/article/6553/

ScreenFonts: Precious, Pirate Radio, The Messenger, Women In Trouble, The Road

The problem with being that late with the previous episode of Scr

https://www.fontke.com/article/1959/

Foundry Focus: Fontsmith

Fontsmith is a leading London-based type design studio founded in

https://www.fontke.com/article/4227/

Biome — the making of a typeface

A biome in nature is essentially an ecosystem. It's also the name

https://www.fontke.com/article/2479/

My Type of Music: Rick Ross, Sheryl Crow, Actress, Tracy Bonham, Tom Jones, Danzig

I know I announced I would include the last albums of July in the

https://www.fontke.com/article/2591/

The Last Word on Helvetica?

Perhaps this article should have ended at the question mark in it

https://www.fontke.com/article/20200/

ScreenFonts: The Adjustment Bureau, Source Code, Trust, Madea's Big Happy Family, Fast Five

Whoa, did you hear that? That was the sound of January and Februa

https://www.fontke.com/article/3981/

An Interview with Zuzana Licko

Zuzana Licko co-founded Emigre — one of the first independent dig

https://www.fontke.com/article/123/

FontBook, The Team Behind The New App

The new FontBook app is a group effort, developed by long-standin

https://www.fontke.com/article/4514/