Inside Paragraphs: Typographic Fundamentals Explores The Space Between The Characters

I have said this numerous times over the past few years – now is

https://www.fontke.com/article/10358/

ScreenFonts: Brothers, Up In The Air, Invictus, The Lovely Bones, Avatar, Sherlock Holmes

For this instalment of ScreenFonts I am about to do something I h

https://www.fontke.com/article/2005/

Jim Ford's Typographic Journey

Jim Ford describes designing a large typeface family as "a mounta

https://www.fontke.com/article/16827/

U&lc Volume Twelve: The Danger of Predictions

Ed Gottschall's editorial column in Volume Twelve number One of U

https://www.fontke.com/article/4846/

BBC's Great Expectations Wins 2012 Emmy Award For Outstanding Main Title Design

This weekend the Academy of Television Arts & Sciences presented

https://www.fontke.com/article/9064/

The Swash Font Feature

When it comes to visual enhancements, swash characters can add a

https://www.fontke.com/article/22761/

Building UTF-32 CMap Resources

When using AFDKO to develop CID-keyed OpenType/CFF fonts, the mos

https://www.fontke.com/article/6756/

Call for Participation: 35th Internationalization and Unicode Conference

Mountain View, CA, USA – February 8, 2011 – The Unicode® Consorti

https://www.fontke.com/article/3533/

D&AD Global Awards winners announced

The famed D&AD Global Awards were held in London last night – wit

https://www.fontke.com/article/317/

字体设计基础（10）比例

Proportions. Which x-height to define? Which descender depth? Defining these proportions are essential, and very strongly connected to the purpose of the type. The proportions within a certain typeface are influencing the way your type will work &

https://www.fontke.com/article/1356/