U&lc Volume Fifteen-Color!

After 14 years of issues in just black and white, in 1988, color

https://www.fontke.com/article/5490/

And We're Live! The New Fonts.com Comes Out of Beta

Last month, we debuted a new Fonts.com. Born out of a collaborati

https://www.fontke.com/article/8046/

TXT Island Creates Magic With Pegboard Letters

With the posts I've got lined up, it looks like this week will be

https://www.fontke.com/article/1332/

Blue Note Records Mock Covers Celebrate Barack Obama

The FontFeed loves Blue Note Records and Reid Miles, so it was wi

https://www.fontke.com/article/9925/

Vesta: Serif or Sans Serif?

Gerard Unger, designer of the Vesta™ typeface family, once receiv

https://www.fontke.com/article/4353/

Typecast: How New Technology Is Reinventing Typography

Highsmith is a master designer, but has also teaches the art of a

https://www.fontke.com/article/11595/

U&lc Volume Three & Hermann Zapf

After a 10-year hiatus, Hermann Zapf began designing typefaces ag

https://www.fontke.com/article/3294/

What the font on an album cover may tell you about what lies inside (but occasionally doesn't)

A HuffPost ExclusiveMy interest in fonts began when I was 11, and

https://www.fontke.com/article/4738/

U&lc Back Issues to be Made Available

Richard Nixon became embroiled in the Watergate scandal in 1974,

https://www.fontke.com/article/2943/

David Berlow on the Making of California

The following article was written for FontShop by David Berlow, f

https://www.fontke.com/article/114/